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Archive for February, 2006

The Nude Bottom

26 Feb

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2003- A pen and ink piece, The Nude Bottom is a loose interpretation of a model that I was drawing where I decided not to define her feet and toes out. The crosshatching lines are textured and light in the appropriate areas, and good definition is formed around a firm buttocks. I experiment with line shape, size, and pressure constantly when using pen and ink. This gives volume to a shape and context when communicating a message in art. The most interesting part of this piece, is that it seems appropriate that it doesn’t show the whole figure, as though this were a greek sculpture.

 
 

Memorial

25 Feb

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2003- The events that occurred on 9/11 changed my life. It made me take stock of how I saw myself, how I portrayed myself, and how I interpreted violence. As a broker, we were encouraged to engage our clients in conversation over the phone and be empathetic to their issues. I worked on 9/11 and watched the images over and over again on TV. I talked to people at ground zero and heard stories and horrible things that I shudder to repeat that scarred me for life. When I heard on CNN later that they were wanting to see our ideas for WTC I felt I needed to submit somethng of my own. Memorial grew out of a dream that I had that was followed up by subsequent sketches. Later I converted it to the image to what you see here in Bryce and submitted it to CNN.
The following is from what was published on CNN with this image:
“This design could either be a monument in a small corner, or … a very large monument with a building encompassed by it. The half globe surrounding it would be open on three sides [and] the fourth side [would be] part of a museum. The building in the middle could stand as either a monument in a smaller plot of land or a full-size commercial entity, if this was to occupy the full space of where the towers used to be. This would not poke too far into the skyline, as lights would adorn the top to shine up into the heavens once again as a gentle reminder and a comforting sign to us all. The metal square around the outside would be outlines of where the old buildings used to stand, and the wall behind it, made of red granite, would hold the names of those who passed or were never found. I was deeply saddened by the events that came to pass on that fateful day. Whether or not any of the ideas that we submit come to fruition, I believe that the heart of what we all contribute is out of the love and compassion that we all show for one another. Thank you for the opportunity that you have provided to us all, to contribute to the healing process of what has been wrought upon us.” 

 
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Posted in Art, Digital

 

Dominack

24 Feb

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2005- As I’ve gotten older I have shied away from sports figures and moved more into traditional fields. Dominack was probably the first football player I drew in nearly 10 years, as the Oilers move from Houston left me slightly less passionate about the sport. For a great period in there between 1991-1995 most of my work was of football players, sometimes with a reference as large as a football card.

This piece was a colored pencil set, using purple for darks, and marigold, flesh and yellow to build the skin tone. Guash was applied around the eyes and helmet to give highlights. I was very upset initially about the background. The colored pencils that I used in the background were a complete failure and were taking away from the player. To fix this, I slapped on black paint agressively and then sprinkled salt on the acrylic drying the paint into blotches on the surface. I have been questioned on the recklessness that I took to rescue this piece; However, looking back, I don’t think that it could have come along compositionally without it, because it rectified the problem. This piece appeared in the display cabinet at college in the summer of 2005.
I believe that the mind grows and flourishes sometimes in its subliminal dormancy. It has a way of addressing traumas and pain in dreams, visions, and art. The mind addresses when it’s falling behind, heals when it’s time to stand still, and creates when it’s time to move forward. Embracing in this simple principle, I create art and it in turn creates me.